When signing up to review Wichita States Opera Theater’s production of “The Tender Land”, I admittedly didn’t know what to expect. As someone who’s rather unfamiliar with opera, part of me was nervous that the show would be above my level of understanding.
However, once I actually settled in my seat and started watching the show, I was pleasantly surprised by how accessible “The Tender Land,” an opera set here in the Midwest, during the Great Depression era, really was.
Not only were there subtitles at the top of the stage, but writer Aaron Copland’s story flowed really nicely with the skilled performance of the musicians and cast.
There were definitely aspects of the pacing where I had to suspend some disbelief, since the events of the opera transpired in a relatively short amount of time, but as a college student, I particularly related to the themes of change and transition.
In fact, I think a lot of students could find some part of themselves in the character of Laurie Moss as she navigates her future. Ultimately, the choice she has to make over whether to stay with her community or go out on her own is the heart of the opera.
There’s a love story between Laurie and a drifter named Martin, too, and that influences her decision to stay or leave. Other interesting characters include Laurie’s mother and grandfather, who push back against any apparent change in the status quo.
The music and performances were both excellent. I couldn’t help but smile when I heard the sweeping strings and brass of the symphony as they moved with the singers.
The sheer vocal prowess on display also just blew me away, especially when paired with the music and Norman Rockwell-esque set dressing.
Overall, “The Tender Land” is a great time, and if you’re interested in expanding your musical horizons as I did, I highly recommend you check out the final performance on March 8th at 3 p.m.
It takes place at the Miller Concert Hall in the Duerksen Fine Arts Center, and WSU students get in for free.
