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‘Grab ‘em by the percussion’

Juniors+Daniel+Furry+%28left%29+and+Spencer+Weaver+%28right%29+play+%E2%80%9CEight+on+3+and+Nine+on+2%E2%80%9D+composed+by+G.+Clements+and+R.+Marino+on+a+multiple+percussion+setup+on+Sunday+evening+during+the+Impulse+Percussion+Group%E2%80%99s+concert.+Furry+and+Weaver+have+been+rehearsing+the+piece+since+the+beginning+of+the+summer.
Juniors Daniel Furry (left) and Spencer Weaver (right) play “Eight on 3 and Nine on 2” composed by G. Clements and R. Marino on a multiple percussion setup on Sunday evening during the Impulse Percussion Group’s concert. Furry and Weaver have been rehearsing the piece since the beginning of the summer.

Juniors Daniel Furry (left) and Spencer Weaver (right) play “Eight on 3 and Nine on 2” composed by G. Clements and R. Marino on a multiple percussion setup on Sunday evening during the Impulse Percussion Group’s concert. Furry and Weaver have been rehearsing the piece since the beginning of the summer.

Hannah Roberts

Hannah Roberts

Juniors Daniel Furry (left) and Spencer Weaver (right) play “Eight on 3 and Nine on 2” composed by G. Clements and R. Marino on a multiple percussion setup on Sunday evening during the Impulse Percussion Group’s concert. Furry and Weaver have been rehearsing the piece since the beginning of the summer.

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Loud as a thunder clap, soft as a kitty cat – it’s a dynamics lesson that was on full display in the Duerksen Fine Arts Center Miller Concert Hall Sunday.

Directed by Gerald Scholl and featuring fourteen group members, Wichita State’s Impulse Percussion Group performed “Shades of Enlightenment,” a concert accompanied by colorful, motion-filled art and designs created by Laura Scholl that reacted dynamically to the performances, to an audience of about 150.

Gerald Scholl jokingly said at the beginning of the concert that there were thoughts of calling the concert “Grab ’em by the percussion,” in response to this year’s election cycle, but settled on the name “Shades of Enlightenment.”

Pieces included a marimba quartet, a tom-tom faceoff drum duel that was sporadic in tempo and volume and finished with a thunderous crescendo, performed at the forefront of the stage, and a lively, jovial piece accompanied by pink and purple visuals to wrap up the night’s performance.

Typical orchestral styled instruments were featured throughout the pieces, but there were also “toys,” as Gerald Scholl describes them, such as woodblocks, a glockenspiel, xylophone, marimbas, chimes, timpani, and stranger instruments such as the garden weasel, which Scholl said makes “this incredibly beautiful sound” when it’s spun.

“Another thing you’ll hear that people aren’t used to is musicians bowing,” Scholl said. “Not just vibraphone, but even on the marimba or the gong or cymbals.”

Scholl said the idea of “Shades of Enlightenment” was to effectively mesh the music with Laura Scholl’s performative drawings.

“I think doing that really put everything together and created the shades of musical color,” Scholl said. “That’s the overall string that kind of led us from piece to piece. I also like to try to vary things. You started with a very melodic and jazzy style, going to a very mathematical, less tuneful piece, to a drum chorus, to this gorgeous hymn-like piece at the end.

“These varied colors are what keeps the attention of the audience. I’m really interested in making sure the audience is having as good of a time as we are.”

Scholl said he and the percussion group practiced at least once a week, with three hour rehearsals on Tuesdays. He said they spent the weekend fine-tuning and making sure everything worked out exactly as planned.

Laura Scholl said her accompanying artwork is known as performative artwork.

“Basically, it’s also performing, just like the musicians,” Scholl said. “If they’re feeding off each other, the program itself is feeding off them as well.”

Scholl, who is a graphic design professor at Newman, said all of the student performers at Wichita State were professional and fun to work with.

“It was just really a pleasure to do this,” Scholl said.

Student audience members were impressed by the skill the performers displayed.

“I haven’t been involved in music since five years ago, but I thought it was a great performance,” criminal justice senior Joel Trembly said. “My favorite piece was the last piece, because that’s just kind of who I am. I like happy, lively pieces.”

Anthony Fincher, a Butler Community College sophomore studying psychology, said he particularly enjoyed the second half of the performance.

“The first song in the second act I felt was very moving,” Fincher said. “I don’t know why, but it was very relaxing. I kind of lost my train of thought and started thinking and thinking and got lost and I was like, ‘Oh!’ I had a moment of clarity and realized where I was.”

Dirk Petersen, a KU sophomore studying meteorology, said the performers were talented all around.

“Overall, the musicianship level is pretty apparent,” Petersen said. “I was actually a percussionist and I was a friend of someone who was in there. It’s really easy to appreciate it even if you’re not a percussionist or a musician.”

Gerald Scholl directs the Impulse Percussion Group Sunday evening as they perform “Palace of Nine Perfections” by Eric Ewazen. Laura Scholl’s Performative Drawings play on a screen in the background. The drawings are reactionary to what the musicians play.

Hannah Roberts
Gerald Scholl directs the Impulse Percussion Group Sunday evening as they perform “Palace of Nine Perfections” by Eric Ewazen. Laura Scholl’s Performative Drawings played on a screen in the background. The drawings were reactionary to what the musicians played.

1 Comment

One Response to “‘Grab ‘em by the percussion’”

  1. Cindy Weaver on November 17th, 2016 10:17 am

    Thank you so much for the ‘Grab “em percussion article. It personally could not have come at a better time. My son Spencer was featured in the article. Unfortunately, my husband and I were unable to attend, so It was really nice to hear how well the performance was perceived by such a diverse audience and that the music was set to visuals.

    It would be great to be able to see the performance. If you know of anyone who has a recording could you please let us know. Thank you again for the well written review.

    [Reply]

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